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Anne Cindric gives us a female perspective on the male world and the various objects of power. It seeks to represent a world without gravity, in every sense of the term, both cruel and difficult, where there is a marriage of opposites, mixtures of genres, eras and scales, misappropriation, duality and ambiguity.
Arnaud Cohen
Humorously, Arnaud Cohen considers himself as a post neodadaist punk, an illegitimate grand son of both Marcel Duchamp and Marcel Broodthaers.
“From the start, my work has always had something to do with collage. My ambition is not to create new shapes. I want to give meaning to today’s empty art shapes. As an artist, my whole work is about "détournement". Through this method, I do appropriate and scandalize the world. And through this process, though I think that not a single way opens out of the Society of the Spectacle anymore, I still find a way to surf on what Jean Baudrillard calls Hyperreality.”
Régis Crozat
"Fascinated by the occidental middle-age and especially by medieval military architecture. After 25 years of castles visits in the world, I started writing a book that includes over 350 pictures."
Marion Davout
"Marion réinterprète le thème millénaire de l’arbre de vie en en faisant un arbre à vivre comme on parle d’une pièce à vivre.Elle en évoque la silhouette massive, rugueuse, solide, au pied de laquelle se love, se dérobe, se cache, un couple qui a quitté le monde sans pour autant renoncer à ses images ni à son confort.Arbre refuge, arbre abri, rassurant ou dévorant, qui accueille ou qui absorbe ; arbre sombre et bleu au travers duquel percent d’étranges fulgurances de lumière… un regard neuf sur un monde ancien."
Philippe Jansène 2011
Pascal Ravel
"To see. What you see is what you take into account. I seek to challenge the a priori. From when the form takes precedence over the color and vice versa. To remove the color composition, so that the dimension of color is a territory in itself. I am looking to achieve a physical dimension of color that involves the perception of the eye, which can challenge our expectations and our knowledge of color. I want in my paintings a long experience, endless, able to be repeated as each new look... Take the risk of seeing the world better with his own eyes, not to be imposing a common vision and predefined j hoped that each person who looks at my paintings come to this singularity.
Monica Sanchez-Robles
Monica Sanchez-Robles has long been looking for a constant movement (cf. Urban series). Now she needs to confront the silence of the desert, the reflection of the image to be taken with infinity and approach the truth of his being. She offers us through her photographs spaces of solitude, beauty, meditation and serenity. The desert, the dark help her to discover the peace within her own and a deeper search for meaning. "In the desert, she says, there is life and I always found the couple, love, sex." She likes to distort the things she sees to give us to see her discoveries, her own eyes. She reverses images, playing with the reflections. "By reversing things, I can see them."